Tuesday, October 28, 2014

263. Protestant Churches: Could Scripture Reading Be Reducing Our Attraction?

 This is going to sound like advice from one old Episcopalian coot to another but it's really advice to all Christian church leaders worried about their declining attraction to young people.  Even if you're not Christian you can imagine that worry: young person shows up, you do the sixteen different things recommended by psychologists, sociologists, salesmen, or your own diocesan expert, and he doesn't come back.  And each week you see more and more symptoms of a dying organization: multiplying analyses, lengthening meetings, emptying seats, whitening hair.

My advice is not original.  It is essentially that of the Episcopal Diocese of New York to its parish greeters or ushers: "Place yourself in the shoes of the visitor."  What I want to add is some urging to do that more realistically, and to act more radically after we've done it.

So here comes today's visiting young person.  What do you see?  If you live in a college town, as I did, chances are you are going to see young people much better educated than the young people in your day. If you live in a different town chances are you've got a lot of young people who went to colleges like the one in my town. 

That means that you could be looking at the heart of your declining-attendance problem.  A recent Pew survey firmly shows a progressive decline of church attendance with years of schooling.  If we take seriously the possibility that it's the schooling that's killing us we've got to look more closely at that schooling.  So we can be sure we're really getting into the shoes of the visitor.

To get in there fully, of course, we'd have to have sat in the classrooms he (or she, understood from now on) sat in, and been impressed by the teachers he was impressed by, and read the books they respect and assign.  We can't do that, but we know enough about the academic tradition to know that this is going to include tests for reliable belief (science courses, mainly) and lessons in the dangers of credulousness (history and political science courses, mainly).  And we know that from the beginning he is going to have been urged, in his composition and logic courses, to think critically — that is, skeptically.

And we'd have to have lived with him in his rooming quarters, and eaten and drunk and smoked where he eats and drinks and smokes, and absorbed the culture, finding out what's cool and what's not.  We can't do that but we know enough to make this important distinction: between those students who take their education seriously and those who don't.

All right, Episcopalian recruiter, here he comes.  You smile, you greet him, you lead him (and whoever has escorted him, hopefully an Episcopalian who can help with the liturgy, more hopefully an Episcopalian who can convey the attractions — the dignity, the elevation, the beauty, the power) to his seat.  You put yourself in his place.  You have joined the pre-service meditators.  The lovely Bach introit slides down from the loft behind you.  Rustles from the narthex, then the stirring processional, robes flowing past, voices at your ear, parts strengthening and fading, the glitter of precious metal, the forward-bending cross, the bobbing heads of the stair-climbers, then, elevated, the formation of officiants.  A pause, prolonging your expectation.  Then the solemn call to worship, the declaration of its purpose, the reminder of our need, the sense of shared resolve in breasts around you.  On with the grand project of human betterment.  A silver-haired, well-tailored gentleman in a business suit rises to the most elevated position and, in a cultured accent, gives us the first instruction: "When God saw what the people of Nineveh did, how they turned from their evil ways, God changed his mind about the calamity that he said he would bring upon them...."

I won't continue the reading but believe me, this First Lesson will come across as such a farrago of nonsense that the visitor, who wants to follow, won't be able to believe that he's hearing right.  Jonah doesn't want the city to be saved, he gets angry, he argues with God, he asks for death rather than to have God change his mind in this merciful way.  He sits down outside the city, pouting apparently.  God "appoints a bush" to give him shade, making Jonah happy, then he "appoints a worm" to kill the bush, then he prepares a dry wind and a sun so hot it makes Jonah angry enough to say, "It is better for me to die than to live."

The visitor waits for the moral, hoping for clarification.  Here is what he gets: "Then the Lord said, 'You are concerned about the bush, for which you did not labor and which you did not grow; it came into being in a night and perished in the night.  And should I not be concerned about Nineveh, that great city, in which there are more than a hundred and twenty thousand persons who do not know their right hand from their left, and also many animals?'"

That's all.  The obviously well-educated gentleman, wise in years, waits the recommended three seconds (to allow the First Lesson to sink in), then says, "The Word of the Lord."

All right, you there, trying to get into the visitor's shoes.  You'll know you are succeeding when you find yourself actually listening to these words.  They are not just sounds, part of the ceremonial rumble toward the sermon. They are saying something, and you want to know what it is.

The visitor is listening the way he listens in the building he comes to you from, the one with the classrooms, and he is looking at this person up front the way he looks at the persons up front in the classroom.  He has acquired habits of listening and expectations of language that are hard for him to break.

Yes, there are things that he knows that will make trouble for us later but now it is important to remember what he does not know, or does not know yet.  He does not know that there are theories that explain all this nonsense, or put it in context, and make it more palatable.  He has never heard of the theory that the Lord shapes his words according to the understanding of his people, even if the words that accomplish his purpose with people at one time in history will appear as nonsense to people of another time (the Theory of Accommodation), he knows nothing about Christian Apologetics, he has been in on no discussions of "the truth of myth," or "necessary fictions," or "parabolic renderings," he has never attended a meeting of The Inquirers, the church's adult discussion group. He does not know the history of the Bible, he does not know the succession of covenants, he does not even know the difference between the Old Testament and the New Testament.  And there is no foundation in him whatsoever for the love of the old words that repetition has built up in us, the aging ones.  He doesn't draw on any reserve of forgiveness.  He just listens to what he hears and judges the sense of it.

And I don't think he forgets, or puts what he has learned in separate compartments.  In university classrooms that's hard to get away with.  No, this that he has taken in, been forced to take in by its emphatic positioning (right there, wham, at the beginning of the service) and framing ("The Word of the Lord!"), will sit like a lump in his brain the rest of the service.  There'd better be a lively sermon, because his mind will return to it in every idle moment.

 One way to solve this problem is to make a good Anglican compromise.  Remove from the Lectionary (the collection of passages from which readings are chosen) the greatest shocks to educated visitors, substitute harmless or, hopefully, attractive passages, keep the ones the white heads will leave the church over, and move the whole thing to a less prominent position in the service.  And, oh yes, keep the Adult Inquiry class ready for the visitors who come back and need incentive to stay; they are your best future escorts of first-time visitors.

But the problem may be too deep for that solution.  The problem may be — can we Protestants possibly admit this? —with Scripture itself.  It just can't bear the weight we, to keep our tradition going, put on it.  Even with a delivered Accommodation Theory we're in trouble.  The visitor can still ask, "Why should I have to sit and listen to what's composed for primitives and children?  I am not a primitive and I am not a child."  And our more sophisticated reply, that for our kind of wisdom you have to become a child, will not, at this point, be understood.

 It's painful to admit that — in salesman's terms — our basic product is the problem.  It's so painful that we just can't give up trying to locate it elsewhere.  Surely if we display our social outreach, choose more singable hymns, make the service easier to follow, refresh the newcomers' packet, and professionalize the web site we'll pull out of this. 

Of course many passages from Scripture are painless, and some, both palatable and digestible, are pure pleasure.  Turkeys like 15 Pentecost (the Jonah passage) come along only once in a while.  The thing is, you don't know when your best prospects are going to show up, or how far their pain will be reported.  Furthermore, even on a good Sunday the Old Testament is likely to pain him.

We try to think about that pain.  We see that it is, as the education of our young broadens and deepens, going to get worse.  We realize, with a pang, that the problem that's killing us is a problem that Catholics, when the Jonah story was in Latin, didn't have.  Freely charm your visitor with music and ceremony.  Looks attractive, doesn't it?  Oh, oh.  Where is this leading?  Gott hilfe uns.

 Well, can't we make the pain go away by picturing a different visitor, one who doesn't take his education seriously?  "This nut's too hard to crack.  Forget him and go for.....?"  What, just the C and D students?  We become a refuge for "fellows whom it hurts to think."  That's a knock on Christians already.  A lowered aim puts us in an impossible position.

OK, this pain is going to get worse.  If it gets bad enough, and we see no other out, maybe we'll be ready to forget the Anglican compromise and go radical.  Forget the Lectionary, forget the three set readings, forget representation of all the voices that have told us what we are, forget "the Word of the Lord," and start over.  With the Bible, treated as a treasure of options.  Set before the local priest.  He, knowing his congregation and community and what kind of prospects will be coming through the door, chooses among them and proceeds accordingly.  Maybe he'll stick with the Lectionary, maybe he'll make a few substitutions, maybe he'll knock everything out except for the one passage he thinks he can get such mileage out of that he doesn't need anything else.  But one thing for sure: his every choice will be made in the light of what he wants to accomplish that Sunday with that audience, especially with his sermon.  He'll make sure that no off-putting passage goes out into the air without an explanatory, ameliorating sermon behind it.

Because we've lived by Scripture doesn't mean we can't die by it.  I know it's hard to believe that a few readings from the Bible are killing us, but why take a chance?  At least we can remove the passages that, if my sense of an educated visitor's response is right, inflict the deepest wounds.















Sunday, October 19, 2014

262. The Use of the Word "Uneducated"

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Democracy's faith in the common man gives well-informed, carefully analyzing citizens of democracies a problem when they want to refer to poorly informed, carelessly analyzing citizens.  Ignorance and carelessness on the part of voters can be dangerous, and you want to use words that will discredit it, but you don't want to use words that discredit the common man enough to make you a danger to democracy.  The contempt in Bill Maher's "dipshits" could have made him a danger.  Slurs like his make smart "men on horseback" (macho dictators) an attractive alternative.

Thomas Jefferson freely referred to the masses of the cities of Europe as "canaille," a pack of dogs, which, if given power, would destroy "everything public and private."  Friedrich Nietzsche fought to defend himself "hand and foot" against people who confused him with the "anti-Semitic canaille" of those cities.  But no American can use "canaille" to refer to the masses in American cities.

Once Americans could get away with a term like "Know-Nothings" but not now.  We say "low-information voter," and are happy at not being thought elitists, since the opposite is only "high-information voter."

Plato's "the multitude" refers exactly to the group we are worried about, those who form opinions uncritically, but its discrediting power is lost if it's taken as mere quantification, as those who don't know Plato are likely to do.  The same with his "the many," which could be more strongly elitist, suggesting "we few," we smart ones.  "Masses" won't do since we don't have "classes."  Masses are those lumpen things that swelled up in Europe and got talked about by Karl Marx, that word-poisoner.

Set against those options, "uneducated" looks attractive, but we've got to be careful with it.  We don't want to imply a permanent condition or a kind of people.  Recognize that nobody is educated all of the time and everybody is educated some of the time.  Play safe, maybe, by using it only in combination with "in."  Poets are "uneducated in" worldly consequences. 

The Ukraine crisis gives us an excellent opportunity to see how this usage would go.  Say I sound off about the crucial issue, one way or the other ("NATO is justified in expanding to take in Ukraine." "No, no, it isn't.")  But I don't know much about the back story.  A friend directs me to two articles in the September/October issue of the periodical Foreign Affairs.

The first, by John J. Mearsheimer, is titled "Why the Ukraine Crisis is the West's Fault: The Liberal Delusions that Provoked Putin."  It gives me the history of and reasons for Russian sensitivity to unfriendly powers on its borders, asks me to "imagine the outrage if China built an impressive military alliance and tried to include Canada and Mexico," and shows me how firmly Russian leaders expected Western diplomats to respect their concerns.

The second article, by Mary Elise Sarotte, is titled "A Broken Promise?  What the West Really Told Moscow About NATO Expansion."  It shows me that Russian expectations, at least with respect to a promise supposedly made to get Russia to approve the unification of Germany, had no reason to be so firm.  There was no promise.

After I read these articles I say that I have been "educated in the Ukraine crisis."  And I am willing to say that before reading them I was "uneducated in the Ukraine crisis."  But that makes me say that people who haven't read those articles are "uneducated."   That's too categorical, too much of a knock.  Better say that the readers are "better educated" than the non-readers.

Yes, I think we've got it, an accurate expression that preserves respect or the common man and keeps democracy safe.

Uh huh, and when SS men take over "Aryan" to justify smashing Semites' shop windows I'm going to refer to them as "less well educated" than men who have learned what "Aryan" really means?  I'm making "canaille," even "dipshits," look good.  Discrediting force must count for something in a word.

Such a problem.  The safer I make a word the more I weaken it.  But not everywhere.  How will it go in the circle of Economist, New York Review, and New Yorker readers?  Which would we rather the editors overhear (our constant hope), "Well, the Foreign Affairs editors are certainly better educated than the Economist editors," or "Well, the Economist editors have just joined the Know Nothings...or the canaille," or even, at the end, "gone dipshit"?  Remember, we're talking about that issue with spider Putin on the cover (10 July - 1 August, 2014 — see Post 253). 

I'm not sure of the discrediting force here but I feel sure the former expression, the one that makes them less well educated, will have some force on the editors, and maybe it will have enough to do some good.

Would it have enough to make up for what it fails to do in the streets, the daily media, where we so need good police work?  Have we turned our guys' billy sticks into ladies' fans?  With the SS on their rampage what would we be longing for?  "These guys are dipshits!"  Of course.  And we'd be defending, not jeopardizing, democracy.

It's easy, especially for academics, to undervalue verbal violence.  In skillful hands, in satire, in ridicule, in pointed abuse, it can substitute for physical violence, and make government crackdowns unnecessary.  "Yahoos!" says Jonathan Swift of the rabble in Houyhnhnm land.  "Yahoos!" says Whitney Balliett of the fraternity boys disrupting the jazz festival in Newport.  The sting brings order to the next jazz festival, without more constricting government orders.

Monday, October 13, 2014

261. A One-Question Challenge to Conceptual Artists


Let us agree that there are clear-headed, careful, deep thinkers among conceptual artists.  My question is, How, by their work, do you distinguish them from muddy-headed, careless, shallow thinkers?


Saturday, October 11, 2014

260. Conceptual Art

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Why can't I just be bored by conceptual artists and keep my mouth shut?  Because I'm offended by the compliments they get.

I look at a photo of a Renault automobile on its side and somebody near me says "deep."  I argue for the presence of flaws in a friend's concept of omnipotence and nobody around us ever calls us deep. We're just "picky."

With the car on its side I'm out of the circle if "cool" is all I can work myself up to.  This is conceptual photography.  See the concept?  See it?

Shift to me trying to see, or understand, my friend's concept of an all-powerful, or omnipotent, Being.  We agree that a Being who can create a separate being is more powerful than a Being who can't, and that unless that being is free he's not separate.  He's just an extension of the Supreme Being.  A free being can choose to do things that the Supreme Being doesn't want him to do, like eat forbidden fruit.  If the Supreme Being prevents him he's turned him back into an extension of himself.  So we've got an all-powerful Being who can't do certain things.  This concept needs some work.  At it we go.

Using words.  Words, words, they're what you work with if you're interested in concepts.  And it's hard work.  If you don't think so ask English majors trying to get "the dissociation of sensibility" straight. 

You conceptual artists, you just lay your thing out there and let somebody else do the work.  If they don't get it done it's not your fault.  Maybe they're not deep enough.

How different you are from my friend, who has to get it out there clearly, the whole thing, and explain, and defend, and find the right words, until he satisfies you. 

Surely artists in the past have found that they weren't working with the best material for the job.  We had a sculptor in my town who wanted to make wavy structures out of brick.  The results were new and striking and some of them, with their wide curves away from plumb, made you gasp at the dare to gravity.  But when he came to build fireplaces with chimneys I think he saw he had his medium wrong.  People around a fire are uncomfortable seeing bricks hanging over them; gases want to go up, straight up, and smoothly. 

Use paint or a camera to lay out a concept and you use the wrong material for the job.  Words are the right material. But alas, they are very hard to use.  You have to work with them and work with them.  You often fail.  That's why success in it is so satisfying and compliments so pleasing. 

Here's an example of the difficulty.  You artists used words when you called what you are doing "conceptual art."   I want to know what "art" is doing in that expression. Say you give me this thing you've produced.  Its appeal is supposed to be conceptual.  Suppose I feel the appeal.  "What a concept!"  Where has "art" gone?  There's nothing left for it to do for me, or to have done for me.

Ah, but suppose I don't feel the appeal.  Here's where "art" goes to work.  On the bored, or the exasperated.  "But this is art."  The word lays on an appeal the producer, by himself or herself, hasn't produced.  And by doing something to me it does something for him, handing him a compliment.

You, conceptual artists, don't want me, your reader, your picky reader, thinking that way.  In a moment we'll be calling you "thinkers on the cheap."  This concept of concepual art needs more work.  I'd advise you and your friends to go at it.

NOTE. From Museum notices, New York Times, 10-10-14:
MUSEUM OF MODERN ART: 'CHRISTOPHER WILLIAMS: THE PRODUCTIOON LINE OF HAPPINESS' (through Nov. 2)  This meticulously considered and assembled survey of one of the deepest thinkers of the Pictures Generation is as beautiful as it is demanding.  No aspect of photography — as art, craft, science or commerce — or of exhibition making, has been left unturned, leaving a show that is a big brainy work of art unto itself.  (Roberta Smith)